Time & Location
27 במאי 2022, 10:10 GMT+1 – 29 במאי 2022, 19:00 GMT+1
About the event
Presenting video Art, Inside Out, a collaboration work with Diana Schuemann Dancer and Choreographer and Jessica Moritz Mixed media Artist
Architecture is the starting point of this project. As we both are engaged in interactivity and urban architecture, we wanted to create a piece that relates to our vision(s) and questions about choregraphy and interactions. we came up with the idea of choreography in the white cube as a statement and also as a performance. Choreography Based on limited gestures in limited space. Movement is the most basic gesture that we can experience and achieve. Still, when you do it, you often forget that each movement has a direction and goal. As we both are engaged in movement based work in urban space and relations, we decided to build a project interacting with it and develop it around the different interactions and possibilities based on it.
Both of us are also immigrants, so expression will never be the same for us. We had to build our own language to be able to interact in our daily life. Therefore, our attitude and gesture made our experience unique. Our posture, gesture and observations of our surroundings made us stretch, band over, fold to fit in this life. In this specific work, where Diana (the performer) is dancing in a closed space but showing to the street and interacting with viewers, people passing by, cars traffic and noise. Reference: Hans richter, Bruce nauman
RE—ND—ER—ED engage 2022
ENGAGE 2022 an online Sound and Visual Platform - redefining the parameters of contemporary sound and visual art through experimental music, digital, and virtual art. This unique experience is an opportunity to connect and collaborate with a global network of digital creatives. We welcome works in any genre, and any theme. We are looking for works that redefine the parameters of contemporary sound and visual art. Works will be showcased via a curated online platform Friday 27th May to Sunday 29th May 2022.
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